Year:2021   Volume: 3   Issue: 5   Area: Historical Studies

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Shamim Radhi ABD

HISTORICAL SYMBOL BETWEEN THE CONTROVERSY OF HISTORY AND REALITY :THE NOVEL OF LOVE, WHO CROSSES THE BORDER, AS A MODEL

This approach is based on observing images, events, and symbolic characters, then encompassing them in all their aspects, then showing the symbolic method that the novelist adopted to draw and present them in the narration of the novel. (A Lover Who Crosses the Borders) We find the mythical and symbolic tendency in building the narrative, as the novelist exploits the mythical environment that opens up to the past to record the conditions of the main character, and the nature of adaptation to the external environment, in addition to how to face life and its circumstances in different ways, most of the symbolic characters symbolized the pain of reality and the fragmentation of life, so the narrator built (his long story) or (his short novel) in a way that mixes the imagined and the reality. Most of the events and characters are realistic that embodied an imaginary narrative that confronted the Iraqi reality for psychological, social and political purposes. When the stage expanded with multiple crises, success was an ally of those who archive of Iraqi pain, and who embodied the interaction and communication between its past and present, as the novelist wrote in a modernist way that drew its visions from the imagination of Iraqi pain, and the stage recognized the creative exceptions that promote the literary face, and the task of expression is an occasional product of culture.

Keywords: Symbol, Novel, Historical Debate, Fact Debate, Transboundary.

http://dx.doi.org/10.47832/2717-8293.5-3.24


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